Tuesday, March 3, 2009

Busted: The "Asian" Myth


Leading the lackadaisical schedule associated with grad students has prompted me to form a love-hate relationship with daytime TV. Between flamboyant Court TV judges, All My Children, and frothy episodes of Tyra, I think its safe to say I'm heavier on the hate.

But I can't think of the last thing that's made my blood simmer the way this morning's segment on The Today Show did--Kathy Lee Gifford and Hoda Kotb's overly simplified and borderline insulting simulated tour across a bizarre interpretation of "Asia."* The women, outfitted in a garish combo of silk kimonos and questionably angled bindis, enlightened their viewers on quintessential "Asian" experiences, complete with a sloppy origami lesson, a food sampling that frenetically spanned the continent (bibimbop, biryani, and bubble tea) and a makeshift petting zoo featuring a who's-who of Asian animals including a 47-year-old Macac and a Bactrian Camel. All topped with a whirlwind bhangra tutorial--insert the obligatory, "balle balle" here--from Masala Bhangra guru, Sarina Jain. Bite-sized culture nuggets, reducing age-old traditions to snappy, 30-second television spots. Excuse my lack of eloquence. But what the hell?

Though I'm no certified expert, I can certainly claim that the more mainstream American media finds it acceptable to present viewers with this weird and dare I say, Orientalist-inspired agglomeration that is "Asia", the more we are misinforming our audiences. And though I'm slightly embarrassed to quote the title of an existing Facebook group to bolster my point, here goes: "There's More Than One Country in Asia, People!" (yes, I'm a member). Japan is not China. And neither is Taiwan. But how are we to drive home this point if the all-encompassing, "Asian" umbrella is conveniently flapped open when any of these distinct nations becomes a topic of conversation?

Thoughts?

*Tomorrow on Today? South America!

Sunday, February 1, 2009

The Raga Saga


I always wondered how old I'd be when I'd develop a fondness for Indian classic music, namely, the delicate twang of a sitar. The magic number, I learned, is 24*.

I was first introduced to the stuff on my family's weekend excursions to far flung corners of Japan, when my father would slip in the occasional Ravi Shankar CD as the backseat bickering between my younger sister and I bordered on unbearable. Back then ragas took on the role of a stern warning--the melodic precursor to a scolding.

As I matured, the intricate rhythms became synonymous with meals at our favorite Indian restaurants (to this day, a Chaurasia flute tune leaves me craving a deep-fried paneer pakora) often smothered by cacophonous dinner table conversations, not getting the showcase it deserved.

But this past weekend, ensconced in a plush seat, amidst the sustained silence of Carnegie Hall--give or take the occasional loud cougher...free Ricolas in the lobby, people!--I watched, entranced, as a petite figure in a swash of pomegranate pink and violet silk (ironically enough, the word "raga," is derived from the Sanskrit term for color and passion) strutted her way to center stage and offered the audience an exuberant namaskar. Perched on an elevated platform, she cradled her sitar, eyes half-closed and head cocked endearingly to the side. The gentle pitter patter of carefully constructed chords served as the lead-up to a more guttural, thunderous crescendo. The young virtuoso was soon joined by an orchestra of 34, a conglomeration of flutes, clarinets,oboes and violins, whose instruments momentarily criss-crossed cities, from the icy banks of the Hudson to its bustling counterpart along the Varanasi.

I was at an Anoushka Shankar concert, watching the young and overwhelmingly talented artist collaborate with the NYC-based Orpheus Chamber Music Orchestra, a unique musical transaction penned by her legendary father, the sitar maestro himself. I was most impressed by the way the orchestra instruments, Western in origin, took on a second life as they traded their typical harmonies for a highly amorphous musical form, which is "not a tune, melody, scale, mode or any concept for which an English word exists."

The grueling practice sessions behind the concert are chronicled on the Orpheus website, and serve as a candid portrayal of a cryptic musical journey, for those musicians being acquainted with the raga (and all its bells and whistles) for the first time. Rather than getting lost in translation, though, the two musical forms, when combined, were able to infuse one another with greater meaning.

*This was also how old I was when I discovered I could appreciate Autumn foliage along the Merritt Parkway, eat contentedly at a restaurant solo and kind of enjoy getting up early on Saturday mornings.

Saturday, January 10, 2009

An Epicurean Affair


This post is dedicated to a fellow foodie and my friend, Dave. Wish you were here!


Combing through a mountainous heap of press releases at my new internship (a temporary stint at the Metro newspaper) I do a double take upon seeing the "Saveur" logo emblazoned across an e-mail. It's a food magazine I've come to revere lately, for its worldly sensibilities, commitment to simple--and almost primordial--home-cooking and breathtaking layout. The mag released its acclaimed 100 must-have food items list, aka, The Saveur 100, last week and I'm psyched to know that the big cheese himself, James Oseland, is available for interviews. A flurry of phone calls leads me to an enjoyable conversation with the Epicure-in-chief, a pleasant and spirited gentleman with a penchant for pressure cookers, DIY ketchup and Indonesian fare.

Upon identifying my desi connection, James fills me in on an Ahmedabad trip he took last year to shoot a spread on Gujarati cooking. "It's really a work of art," he gushes, forcing me to re-examine a world of cuisine I've apathetically consumed for the majority of my life, never really paying special attention to seemingly inconsequential details--vibrant flecks of cilantro that accessorize most vegetable dishes, the glittery film that coats traditional date and nut rolls (aka, varak, or thin sheets of pounded silver) and even the Zen-like patience required to sprout lentils, a prominent feature in many typical Gujarati meals. James excitedly informs me that the article will most likely run next year, and before I know it, he's inviting me and a guest to a Saveur event the following evening, a celebration in honor of the 10th anniversary of the publication's hit 100 list. Rumor has it that a secret 101st item will also be announced that night.

The next evening, with my favorite foodie in tow (thanks, Raj) I find myself in a crowded test kitchen midtown, bowled over by the scent of caramelized onions and baked goat cheese. Saveur's breathtaking evening menu includes a tart, made with the aforementioned ingredients, a succulent veggie lasagna, a pork and white bean cassoulet, bite-sized black and white brownies, and the piece de resistance--two oversized cheese trays, overflowing with slivers and slices of cheddar, brie and camembert, sprinkled with unlikely embellishments including thyme and parsley. We can hardly contain ourselves as we join a line full of fellow food journalists and wide-eyed plus ones, eagerly clutching their disposable bamboo plates (attractive AND biodegradable? I'm digging this!). Mid-bite, I spot an animated man in a breezy, carrot-colored Balinese shirt, ushering crowds of people towards the dinner spread. We walk over and introduce ourselves to James, while I share a Saveur-inspired anecdote: months ago, Raj and I ditched an afternoon of what was, in theory, supposed to be wedding planning and opted to churn our own butter instead, thanks to an intriguing recipe from the magazine (try it, it reads more like a magical potion than a set of instructions). James laughs appreciatively, chats for a minute or two, asking me when his interview will be published, and thanks us for coming before resuming to mingle.

During the course of that delicious evening, we warmly laud the announcement of the highly anticipated 101st item on the Saveur list (parchment paper), catch a glimpse of the Italian home-cooking sensation, Lidia Bastianich, and even squeeze in a quick, jittery hello with one of my all-time favorite writers, Suketu Mehta--needless to say, those few hours were rich with all the ingredients for a night to remember.


Stay tuned for a Metro NY piece on the Saveur 100, scheduled to run on Jan 21, 2009.

Thursday, December 11, 2008

Mission: Irresponsible


A few have commented on the absence of a Mumbai blog since the Nov 26th attacks. The truth is, I've been percolating. Splicing the personal from the political is never easy. Especially when each of the gutted, ravaged dots on the map of South Mumbai, when connected, compose family history.

Long before I was even a hazy figment of their imaginations, my parents spent many an afternoon at The Sea Lounge, a charming cafe on The Taj's first floor. To this day, they fondly recount these meetings, and if asked, my father might even be able to tell you what my mother ordered on their first date. Years later, as a toddler, I waddled, clumsily chasing wayward pigeons in Apollo Bunder near the Gateway of India (mere steps from where the terrorists first made their stealthy entrance, aided by inconspicuous dinghies) as my nanaji, or maternal grandfather, coaxed me to toss them fistfuls of grain. And more recently as a college student I practically begged my aunt and uncle to take me to the now gun-shot ridden Leopold's Cafe after thumbing through Shantaram, Gregory David Roberts picturesque ode to to the city. The stories are countless.

Now that all the blood has been shed, fingers pointed and tensions stirred, my dissatisfaction has more to do with the way those formally charged with telling the multiple stories--local journalists--handled their duties. These story-tellers had the power to be influential participants during this perilous siege, but to put it mildly, they blew it.

"We've forfeited the rights to our tragedies," exclaimed Arundhati Roy in a Guardian op-ed, soon after the siege. For as the hellish attacks unrelentingly gnawed at Mumbai, almost instantaneously, the world—the one defined by the slick, 24-hour-news channels, at least—tuned into what was christened, “India’s 9/11.” Throngs of hysterical reporters dominated TV screens, charged with spreading their interpretations of the saga both domestically and internationally, throughout the course of the attacks. In our Friedmanesquely flat world, however, hardly any global event is spared from the cable news bulldozer, threatening to compress nuanced conflicts into sentimentally charged sound bytes. Though the atrocities themselves were analyzed and dissected since that fateful November night, another highly consequential post-mortem is still underway—that of the media’s role and influence during this blaze of terror. The few critiques that are appearing though, come from the domestic front in the form of left-wing news web sites, controversial op-ed columnists and even local bloggers, who are stepping forth with their versions of the story, dissatisfied with the media’s highly sensationalist and frenzied coverage during the 60-hour siege.

When the Cold War paradigm for mainstream media was dismantled, in America at least, many wondered what the next dominant framework would be. It’s safe to say that “9/11 rhetoric” is the highly anticipated successor: “Fanatical Muslims replaced Soviet Communists and, like the reds, these enemies could be anywhere." In many ways, it's like President Bush merely pressed the re-start button on the Cold War talking points machine, and now, we see democracies across the world—like India—doing the same. As an ever-present tool, the rhetoric surrounding the war on terror is appealing, just as the Cold War was, lacking an exit strategy, with no tangible end in sight.

Though the mainstream media is ideally, supposed to function as the watchdog of any democratic government, the infiltration of corporatism is slowly hacking away at this idealized notion. As witnessed in the case of a relatively established democracy, like India, in light of the Mumbai crisis, the mainstream media acted as an extension of the government’s interests, whether it came in the form of an almost a knee-jerk desire to point fingers at Pakistan (although ultimately, a connection was revealed) or cloaking over the complexities of the conflict with a highly simplistic, 9/11-inspired, “good versus evil” script.

As traditional media no longer mirrors the democratic values that were once bestowed on it, it becomes crucial to turn to a sphere that is more congruous with ideas like diversity of opinion, accuracy and transparency. Cyberspace, in many ways—with the appropriate gatekeepers, of course—is the ultimate embodiment of that democratic space. In the case of Mumbai, we saw that space timidly but articulately speak for the city, following the November siege. Like anything democratic, however, it will be support, in the form of citizen viewers and readers and participators that can truly empower it as the perfect arena for a multitude of voices to co-exist, debate and ultimately, inform.

Tuesday, December 2, 2008

Tabloid Cricket? A Sport 'In Transit'


I honestly can't believe I'm writing about sports. (are pigs flying?)

But here's a piece on the evolving nature of Indian cricket as it transitions from a national sport to a league-based system, sparked by a guest speaker in my Sports & Globalization class last night. He repped the NBA's international operations branch and kept emphasizing how the advent of league cricket in India was making it easier for his organization to spread its tentacles there. Interestingly enough he mentioned a potential--albeit hush, hush--project between Hindi movie producers and the NBA in the hopes of generating popularity for the sport. Rumor has it that Kobe Bryant already met with a Khan or two. Bollywood Basketball may be closer than you think. But you heard it here first :)

In the meantime--my two cents on the IPL.

Monstrous flames blaze from his leg-guards, while a majestic drumbeat thunders in the background. At center stage is Shah Rukh Khan, kingpin of the commercial Indian film industry, outfitted in a black and yellow Kolkata Knight Rider’s uniform. As an entourage of extras join him, together, they engage in a spirited dance routine, set to an exuberant song entitled, “Korbo, Lorbo, Jit Bore” (Bengali for, “we will do it, fight for it and win it”). The pulsating drums quicken.

Such is the introduction to one of the first music videos to emerge from the Indian Premier League (IPL), and a flamboyant effort to catapult Kolkata’s state-based cricket team to fame. As the video continues, Khan undergoes a dramatic costume change—he trades in the uniform for a shimmering cloak—while the Bengali is replaced with snappy English lyrics: “We’re too hot, we’re too cool, we’re Kolkata, we rule!” It’s a messy amalgam: part folk song, part war cry, with a pinch of Bollywood and the flourish of a cheerleading routine. Is Indian cricket undergoing an identity crisis?

In many ways, the 60-second music video encapsulates the hazy transition that cricket is currently experiencing—in India, at least. Sports and national consciousness have often been linked, whether it is ice hockey and Canada, soccer and Argentina, or baseball and the United States. Throw in a turbulent colonial history and it further complicates the connection, as exemplified by India’s curious and constantly evolving relationship with cricket. What started off as a way of challenging the occupiers at their own game during the days of the Empire soon became a sport that was synonymous with patriotic virtue post-independence, as India attempted to define its national identity on a world stage. It is only appropriate, then, that cricket’s latest avatar comes in the form of intra-national competition, laced with all the symbols of market capitalism, reflected by the eight, state-based team that make up the IPL.

“A new cricket league is trying to spin off India’s colonial inheritance into a money making symbol of a brash, emerging nation,” writes New York Times journalist, Somini Sengupta. Others, including Rajdeep Sardesai, the editor-in-chief of a prominent Indian news channel, have described the sport’s new incarnation as “cricket’s version of tabloid journalism…it is much more about glamour and entertainment than about what happens between the players."


It should be noted that the version of cricket touted by the IPL is referred to as the Twenty20 brand. This brand is a slicker, more TV-friendly counterpart to the dowdy five-day matches introduced by the British. The name, Twenty20 refers to 20 overs—cricket’s version of an inning—granted to each team. It slowly becomes apparent that the ritualistic nature of the five-day version is being whittled down for the convenience of media sponsors and television channels, a sure indicator of the power that market forces have over the structure of a sport that has existed for centuries.

Ultimately, is the Indian Premier League just another product of globalization, the great leveler and homogenizer? Though it has only been in existence for less than a year, it is already ripe with all the ingredients for a marketer’s wet dream—high-powered stars, mammoth sponsors and an audience of thousands. This is not the only time cricket has transformed in shape, responding to the socioeconomic changes around it. One can only hope, though, that rather than getting lost amidst the powerful distractions, the essence of the game remains.

PS: For those of you who think cricket is limited to the Commonwealth, it's slowly making a presence in New York. The NY Times' "10 Best Books of 2008," (a highly anticipated list released yesterday) includes 'Netherland' a novel that highlights the sport against a post 9/11 backdrop.

Friday, November 7, 2008

Electorally Challenged


Much to the disappointment of zestful campaigners across the nation, I didn't vote this year. And I promise it has nothing to do with one particularly frazzled McCain supporter who addressed me as "sir" last month. In all seriousness though, I've never voted. It's a logistically-oriented deprivation: the direct result of incessantly shuttling around. (Does India even do absentee ballots?) If there ever was a year I wished I scored the privilege though, it would undoubtedly be this one.

The foreigner in me will admit that the US elections have only been a part of my life since 2000, when my quirky US History teacher, Mr. Powers, decided to trade our week-long section on the Cold War for bewildered analysts on CNN. As Hanging Chads overshadowed the Cuban Missile Crisis, a classroom of international students reluctantly tuned in to political perplexities, unfolding oceans and time zones away. We didn't question why it mattered to us, a group of bright-eyed 15-year-olds in Japan. We watched the chaos like we would a highly-charged courtroom drama, biting our nails, dramatically exclaiming,"I can't watch anymore!" Ultimately, America decided, we returned the long-overdue TV to our slightly ticked-off tech department and got back to taking practice AP exams. Most of us would pack our bags in a couple of years, jetting off to Europe, Australia but most likely, the United States.

2004 found me in a dorm room at Syracuse University. My roommates and I treated the elections as background noise, not especially attached to any of the presidential hopefuls, continuing with our [insert Tuesday night college activity of choice here]. The next day, a quiet disappointment accompanied the morning fog, slowly making its way through campus. I shrugged it off, with an airy claim that really, it was none of my business.

Exactly four years later, the mood was different still. No longer able to cower under the defense of a temporary connection, I watched my husband leave home extra early on election day. As he planned to beat the crowds at our neighborhood voting station (or so he thought), I resisted the urge to go with him, even if it was just to stand in line. I spent the day scouring the web, flipping channels, composing the beginnings of this blog and attending class, where dozens of students shared my giddy excitement. This year was different, they claimed. The lines were far longer. I did my part by doing what any politically engaged resident alien would. I shopped. Purchasing Barack Obama's autobiography a month before D-day, I dove in head first, smitten by his lyrical prose, unabashed insecurities and ever-present optimism.

Scores have blogged about his grandiose political visions and the breakthrough implications of electing him. At the risk of sounding gushy and redundant, I will refrain. What I do respect, among a plethora of things, is his ability to speak, loudly and compassionately, for those of us who exist amidst the fault lines of definition: nationality, ethnicity and race. We reside in the fissures, however jagged, unable to neatly gift-wrap our histories and hometowns when asked where we're "really" from. Never did I think I'd see a day when my mottled background would find common ground with that of the American president. The last guy and I definitely didn't share much, unless, of course, you count the tendency to choke on pretzels.

Ushering in Obama's victory at a neighborhood bar a few nights ago, it was evident that those surrounding us were especially proud to be American that evening. For me, the emphatic sentiment seemed premature. I could certainly claim, however, that he made me proud to want to become one.

*For more on this, see here

Wednesday, September 24, 2008

07030


Look up the word 'Boken' in any Japanese dictionary and it'll translate to 'adventure'. In American English, I mean, er, New Jersey English, 'Boken' is local talk referring to a small city in Hudson County that I am slowly getting used to calling my new home. The cozy brownstones that line Hoboken's main drag and the city's confident, even gaze towards the Manhattan skyline are beginning to assure me that anything is possible against the backdrop of this young, effervescent community. But what an adventure it's been.

My husband, Raj and I arrived here about a month ago, a jarring reality check after our honeymoon: 10 blissful days on the sleepy little isle of Maui. Sun-kissed, jittery and slightly delusional (the inevitable result of prolonged beach time, copious amounts of Kona Coffee and spending over 13 hours on a flight) we convinced ourselves that moving the day after we landed would be no biggie*. Miraculously, thanks to our family, the move went off without a hitch though I can't say the same about our first few weeks. For starters, without warning, the water heater in our building single-handedly decided that come Labor Day, it was going to retire. We became experts in the art of cold showers, eagerly awaiting the next passive-aggressive note from our condo board association, which would, more often than not, sternly emphasize our need to be patient (apology not included). It was only after spending a week loofahing in what felt like a refrigerator that the hot water gods smiled on us, granting us the right to bathe like civilized people again.

Next up, our floor fiasco. Bit by the Do-It-Ourselves bug, we decided to re-do our wooden floors, hoping to trade the lifeless beige look for a darker, chocolatey interior. Chalking it up to a weekend job, Raj coralled his older brother and cousin for help. I politely ducked away from the entire project altogether, a decision based on my non-existent handyman skills (hey, for the longest time I thought "spackling" was a dance move) and averse reaction to all things Home Depot. I escaped to my little sister's while the boys got to work, unaware of Hurricane Gustav, inching his way into the greater New Jersey area. Polyurethane and humidity are an unfortunate combination, I am told. And so, what started off as a two-day stint ballooned into an exhaustive, five-day effort. Though I must say, me and our rich, cherry-wood floors are forever grateful, gentlemen.

Of course, it's not over. We have a bathroom to paint, a microscopic kitchen to expand and a living room to furnish. And this time, I promise to get involved. Some adventures, I suppose, never end.

*I don't recommend this.